THE
ZOË SHARP INTERVIEW
Killer
Instinct/Piatkus 2001
Riot Act/Piakus 2002
I have spoken on the
telephone with Zoë Sharp on several occasions, emailed her often
and, in Cambridge recently as guests of Heffers Bookstore, I actually
met her, albeit very briefly. Not being bitchy here but, she was the
only woman writer in the room who actually looked like her photograph.
Some of those pics on the inside back flaps must have been taken a
decade or two back now! Vanity and the written word eh? I wonder how
much attention readers pay to that photograph, the book is the thing
and all of the women writers in the room had written crackers at one
time or another, but Zoë seemed to have scored all around - great
first book, photograph and charm. I met her again recently in Brighton
where she spirited away some coffee and happily signed copies of her
new book RIOT ACT for me. Her first novel, a debut for self defence
instructor cum private eye type Charlie Fox, was KILLER INSTINCT and
I sold out of that almost before publication (I kept a copy for myself
for a while but someone eventually even wangled that off of me!) Ah
well, everything and everyone has a price even Charlie Fox I would
bet. So how come a Lancastrian VI Warshawski? Seemed like a fair enough
question so I asked her.
So, Zoë, how come
a Lancastrian VI Warshawski?
A: I've had the character
of Charlie Fox hanging around in my subconscious for years. I'm not
even entirely sure where the name came from. She's just always been
who she is. All the early crime I read or watched on TV had women
as peripheral characters only, ones who screamed a lot and inevitably
had to be rescued at some point by the men. Charlie was the result
of my desire to read about a female character who could take care
of herself, who didn't need anyone to fight her battles for her.
When I first set about
writing a crime novel, Charlie fitted the bill perfectly as the central
character. I didn't want someone who was in the police, and she's
not a private eye in the strict sense of the words, either. I know
there are limits to the gifted amateur sleuth who trips over bodies
every time they turn around - you'd never want to be friends with
these people for fear of ending up as the next corpse - but I have
plans for the direction Charlie's career is about to take. By the
end of 'Riot Act' you should have an inkling.
Why Lancaster, it seems
so unlikely enough setting until you read the book?
A: Lancaster is a fascinating
place, a kind of Bath of the north, with lots of beautiful Georgian
sandstone buildings, a historic castle that's still in use as a prison,
and a thriving university. It's a very split-personality city - attractive
by day, but by night it takes on an altogether darker flavour. A quick
glance through a typical week's local paper tells quite a story about
the level of crime there. There are a couple of estates you wouldn't
want to walk through at night, that's for sure, which is where the
idea for 'Riot Act' came from.
How much of Charlie
Fox is in you - I write westerns and I am all of my
heroes.?
A: Oh, I'd love to be
able to say I am her, absolutely, so don't mess with me! But the truth
is, I'm not sure I'd really want to be. Of course there are going
to be elements of me in there somewhere. After all, she came out of
my head, and I'm the one who lives in there - most of the time, at
any rate.
But Charlie's put up with
experiences that would crush a lesser spirit, and in among her natural
compassion she's discovered a capacity for violence within herself
that would frighten most people to death. And in the first two books
she hasn't really found a direction for her life, a purpose. I admire
her courage, but she would not be an easy person to be.
Was Judy Piatkus the
first publisher to show an interest in your work?
A: No, my agent, Steve
Calcutt at the Anubis Literary Agency had a lot of interest in 'Killer
Instinct' from another publisher before Piatkus, but the book didn't
quite make it through the final selection process. Piatkus bought
'Killer Instinct' and the second book, which they knew nothing about.
When I delivered the manuscript for 'Riot Act' they then signed me
up straight away for another three in the Charlie Fox series. I can
only assume they quite like her.
Was Killer Instinct
your first novel?
A: Again, no. I wrote
my first novel when I was fifteen. I was very into horses at the time
and so it was a pony-related story. It went round most of the major
publishers, who all said very nice things about it while at the same
time declining to actually put it into print. I still have their letters
somewhere. Much more kindly that the usual standard 'Unsuitable for
our list' rejections!
Still, it took some years
and a very roundabout route before I wrote another novel. This time
crime had replaced horses as my primary literary subject of choice.
'Killer Instinct' was the result, although this is version 2.1. Version
1.0 had the same main character, one or two similar side characters,
and the same ending, although with a completely different killer!
Are you into 'self
defence' or is that character driven?
A: I do have a definite
interest in self defence and feel that everyone should know the basics
at the very least. I took classes with a pair of exceptionally talented
instructors - Ian Cottam and Lee Watkin at Lancaster University -
who taught me many of the techniques that I went on to describe in
'Killer Instinct' and in 'Riot Act'. I wouldn't feel happy walking
down a street in the dark without knowing I could defend myself if
necessary.
How difficult is it
to avoid the stereotyped relationships with men Charlie is
bound to have?
A: Ah, I'm not sure I
should answer that question before you've read 'Riot Act', because
there's a major development in that direction! Charlie's had relationships
with men, obviously, as she does in 'Killer Instinct', but she's only
been in love with one, and it all went horribly wrong. Sorting out
the mess that left behind is taking some time. Some things are resolved
in 'Riot Act', and some more in book three, 'Hard Knocks', which I'm
working on at the moment, but other questions are not going to be
answered until books four and five. You'll just have to keep reading.
Does panic ever set
in when writing?
A: Hell, yes. I should
say so. More often than not, really. I go through horrible 'oh-my-god-this-is-such-rubbish-that-nobody's-ever-going-to-want-to-read'
phases that I thought would have subsided by book three, but they
currently show no signs of doing so.
Mind you, my day job is
as a photographer, which I've been doing it for fourteen years and
I still get stressed on every shoot. I worry that the day I don't
get stressed is the day I'll turn out less than my best work. I suppose
it's the same with writing a book, except that the feeling lasts for
months instead of hours. I'm lucky because my husband, Andy, reads
each chapter as I go along. Without his encouragement I may never
have finished the first one, never mind be on the third.
PC or typewriter?
A: PC. Definitely. I learned
to touch-type years ago and I'm pretty quick now, plus I don't have
to look at my hands so I can just watch the words forming on the screen.
I use one of these curved keyboards because I've still got wrist problems
courtesy of my first motorbike. The rest of the time I make notes
on an A4 pad in pencil - I don't think well in biro. If I'm stuck
on a particular bit, a long car journey - as passenger rather than
driver - usually gives me the time to think it through. I never travel
without that notebook.
Motorcycles. Do you
still feel safe on the roads?
A: No, but then if you
ride a motorbike on the road today, you're never safe. I work on the
theory that I'm invisible and everyone else is an idiot, and that
usually works. Car drivers can be too insulated from the elements
and too divorced from what's going on around them. Having said that,
some born-again bikers take risks in traffic that makes my hair stand
on end.
What kind of shooting.
Air, clay pigeon, smallbore or long barrelled pistol?
A: These days I just do
target air pistol, although we go to the States a couple of times
a year through work and we usually take the opportunity to find a
gun range. The last time out I fired the Sig Sauer P226 9mm, in preparation
for 'Hard Knocks'. In the past I've fired pump-action shotguns, 7.62mm
self-loading rifles, .22 target rifles, and 9mm submachine guns as
well as a selection of pistols. I used to competition shoot with rifles,
although I'm a fair shot with a handgun and I prefer a 9mm to anything
bigger.
Are you happy signing
books and meeting the fans?
A: Yes, of course. It
still feels strange that someone wants me to deface a perfectly good
book by scrawling my name in the front of it, but I'm more than happy
to do so. People keep e-mailing me at my website to say they've enjoyed
the first book and when is the second one out, which is lovely. I
even had a mail from someone in Melbourne, Australia, so Charlie's
getting out there, slowly. I'm always interested to find out what
people make of her.
What movies do you
enjoy?
A: Oh dear, I'm going
to sound very lowbrow now, I'm afraid. Actioners mainly, I think.
I get so into watching a film that weepy ones make me cry buckets,
no matter how corny they are. I can't watch horror because they give
me nightmares. As a kid I even used to hide behind the sofa when Doctor
Who was on.
What do you read for
pleasure as opposed to research?
A: Actually, I enjoy my
research most of the time, so I don't make much of a distinction.
I'm just reading 'Maggots, Murder and Men' - memories and reflections
of a forensic entomologist by Dr Zakaria Erzinclioglu. Waiting after
that is 'Last Man Down', the story of fire chief Richard 'Pitch' Picciotto,
who survived the collapse of the twin towers.
Given free range in the
fiction aisles of a bookshop, I'd go for Robert B Parker, whose writing
style just grips me from the outset; or JD Robb's 'In Death' series.
Along with the rest of the planet I loved the Harry Potter books,
I dip into Stephen King and Clive Barker on occasions, and although
I wouldn't class myself as a sci-fi fan I read my copy of Peter F
Hamilton's 'Mindstar Rising' until it fell apart at the seams.
Apart from that, I read
Quentin Jardine's Bob Skinner series, Christopher Brookmyre, classic
Dick Francis, and anything by Terry Pratchett that involves the men
and women (and others) of the Ankh-Morpork city watch, so I suppose
that counts as crime. Sort of.
I also have an entire collection of Sherlock Holmes stories, but the
writer who really introduced me to crime and hooked me from the start
was Leslie Charteris and Simon Templar, the Saint. None of the TV
series have remotely done justice to the style and charm of the original
books.
And the big one. Will
you stick with Charlie and a book a year or might you
try another character or even another genre.?
A: At the moment I have
ideas for the first sixteen books in the Charlie Fox series, so she's
going to be around for a while yet! I also have four other series
characters - two male and two female - and a filing cabinet full of
notes and ideas for stand-alone books, including one supernatural,
and three science-fiction. I think at last count there were forty
in all.
But, if I don't pick up
the pace somewhat I'm going to be retired before I finish what I have
now, so I'm going to have to start doing two a year at least! Ideally,
I'd like to do one Charlie Fox and one other, be it in another series
or a stand-alone.
I thanked Zoe for her
time, and lugged my book boxes down to the boot of my sedate, green,
automatic Renault Laguna all the while wishing I still had my old
black and white Triumph Tiger 110, my red corduroy Ivy League flat
cap and slim-waisted Wrangler jeans with the one inch turnup. Maybe
I could have overtaken Charlie Fox on the straightway of the A3 just
down from the old Ace Of Spades cafe. But I doubt I was ever that
good!
Copyright Chris Adam
Smith September 2002